A arte digital é um dos campos da arte contemporânea que abriga práticas artísticas desenvolvidas por meio de tecnologias digitais. Quando pensamos nesse ecossistema, é útil imaginá-lo como um macrossistema que sustenta linguagens diversas que vão desde experimentos algorítmicos até ambientes imersivos. Nesse conjunto, a Media Art aparece como a categoria geral que acolhe formas […]
🇧🇷 Mapa Conceitual de Arte digital Read More »
In the field of contemporary curatorship, understanding the complete journey of a digital artwork, from its incorporation into a collection to its public exhibition, is essential to ensure not only its technical preservation but also the integrity of its meanings. Digital art is made of code, formats, software, and supports that age quickly. Caring for
The Path of Digital Art: From BitCurator to Public Visualization Read More »
In proposing that capitalism has died and been replaced by a techno-feudal regime, Yanis Varoufakis explains in Technofeudalism: What Killed Capitalism how the logic of competitive markets and profits has been replaced by the extraction of rents for access to private digital platforms. According to the author, what killed capitalism was capital itself in its
Techno-Feudalism and the Fiefdom of Digital Art Read More »
The relationship between artificial intelligence (AI) and art has become a relevant field of critical and aesthetic exploration in recent years. However, when this intersection expands to include the perspective of historically marginalized communities, such as Indigenous peoples of Latin America, new possibilities arise. The project “IA/AI: Artificial Intelligence, Art, and Indigeneity” proposes a critical
IA/AI: Artificial Intelligence, Art, and Indigeneity Read More »
At the intersection of contemporary technology and ancestral knowledge lies the work of Ozzo Ukumari (born Oscar Octavio Soza Figueroa, 1985, Agua de Castilla, Bolivia), a multidisciplinary artist whose production offers a unique perspective on the tensions inherent to what we can call digital colonialism. With a degree in Art from the Gabriel René Moreno
Ozzo Ukumari: Between Ancestrality and Digitality Read More »
The growing presence of indigenous artists in the contemporary art field provokes significant ruptures in the hegemonic discourses that historically control the art system. Among them, Kadu Xukuru (also known as Kadu Tapuya) stands out, a 26-year-old visual artist and cultural producer from the Xukuru do Ororubá people, whose work reconfigures the relationships between indigenous
Kadu Xukuru: Indigenous Futurism and the Decolonization of Digital Space Read More »
Contemporary art, in its multiplicity, has become a battlefield where hegemonic narratives are contested and power structures inherited from colonialism are challenged. It is within this terrain that Moara Tupinambá’s work (Belém do Pará, 1983) emerges as an act of re-existence, intertwining ancestry, memory, and critique of Indigenous erasure while confronting the mechanisms of digital
Moara Tupinambá: Art, Memory, and the Decolonization of Digital Space Read More »
Digital art exhibitions are a phenomenon that redefines the way we interact with artistic production. Through virtual platforms, these exhibitions organize collections and information in digital environments accessible via the Internet, recreating the experience of a traditional museum but with unique characteristics. By eliminating geographical and temporal barriers, they offer a new way of artistic
The New Stage of Art: Digital Exhibitions and the Transformation of Aesthetic Experience Read More »
Eli Cortiñas, born in Las Palmas de Gran Canaria, Spain, in 1979, is a visual artist of Cuban descent who resides and works in Berlin. Her artistic practice investigates cinematic memory through the analysis and reassembly of pre-existing footage, combining it with her film, video, and sound recordings. Cortiñas collects, organizes, and classifies diverse materials,
Eli Cortiñas: Critical Perspectives on Digital Colonialism Read More »
Mimi Ọnụọha, a Nigerian-American artist based in Brooklyn, explores the intersection of art, technology, and society through installations, videos, websites, and texts. Her work examines the absences in data collection systems and questions the sociopolitical implications of these processes. By investigating the gaps in digital records, the artist exposes the power structures that influence contemporary
Mimi Ọnụọha: Art, Technology, and Digital Colonialism Read More »
