A arte digital Ă© um dos campos da arte contemporânea que abriga práticas artĂsticas desenvolvidas por meio de tecnologias digitais. Quando pensamos nesse ecossistema, Ă© Ăştil imaginá-lo como um macrossistema que sustenta linguagens diversas que vĂŁo desde experimentos algorĂtmicos atĂ© ambientes imersivos. Nesse conjunto, a Media Art aparece como a categoria geral que acolhe formas […]
🇧🇷 Mapa Conceitual de Arte digital Read More »
In the field of contemporary curatorship, understanding the complete journey of a digital artwork, from its incorporation into a collection to its public exhibition, is essential to ensure not only its technical preservation but also the integrity of its meanings. Digital art is made of code, formats, software, and supports that age quickly. Caring for
The Path of Digital Art: From BitCurator to Public Visualization Read More »
Arun Kakar, Artsy’s Art Market Editor, provides a vital—though partial—diagnosis of the challenges posed by recent U.S. tariff policies on the global art trade in 2025. In his articles “What Art Collectors Need to Know About Trump’s Tariffs” (March 25, 2025), “Is Art Affected by Trump’s Tariffs?” (April 10, 2025), and “4 Ways Trump’s Tariffs
The game Relooted, developed by the South African studio Nyamakop, offers a singular approach to the issue of cultural repatriation of African heritage. Set in the near future, the game is structured around a fictional narrative grounded in historical reality: the extraction, throughout the 19th and 20th centuries, of hundreds of African artifacts by colonial
Cultural Repatriation and Video Games: The Case of Relooted Read More »
The systematic organization of knowledge derived from artistic and cultural objects constitutes both an epistemological and practical challenge of considerable complexity. These challenges are not merely technical; they are deeply entangled with political, cultural, and ideological dimensions. In the contemporary context of museological collection management, three foundational concepts emerge as structural pillars: taxonomy, ontology, and
FĂ©licitations au MusĂ©e d’Orsay ! Dans un coup de “gĂ©nie” commercial, le prestigieux musĂ©e parisien a enfin rĂ©vĂ©lĂ© sa vĂ©ritable vocation en lançant une Ă©dition spĂ©ciale du Monopoly. Qui aurait pu imaginer meilleur hommage aux Ĺ“uvres de Van Gogh, Monet et Degas que de les transformer en propriĂ©tĂ©s nĂ©gociables sur un plateau de jeu ?
🇫🇷 La MonĂ©tisation de la Culture : Une Critique du Monopoly du MusĂ©e d’Orsay Read More »
Museums have historically played a central role in shaping cultural narratives and preserving heritage. However, many of them are deeply rooted in colonial structures that have marginalized and silenced certain social groups. The decolonial museum establishes itself as a space that questions these practices and seeks to transform cultural institutions, making them more inclusive and
The Decolonial Museum: Concept, Curatorship, and Public Participation Read More »
