Digital Colonialism

Mimi Ọnụọha: Art, Technology, and Digital Colonialism

Mimi Ọnụọha, a Nigerian-American artist based in Brooklyn, explores the intersection of art, technology, and society through installations, videos, websites, and texts. Her work examines the absences in data collection systems and questions the sociopolitical implications of these processes. By investigating the gaps in digital records, the artist exposes the power structures that influence contemporary […]

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Stephanie Dinkins: Art, AI, and the Fight Against Digital Colonialism

Stephanie Dinkins is a transdisciplinary American artist based in Brooklyn, New York. Her work explores artificial intelligence (AI) and its intersections with race, gender, and history. Dinkins aims to “create a culturally attuned AI entity in collaboration with programmers and engineers and in close consultation with local communities of color that reflects and is empowered

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Joana Hadjithomas and Khalil Joreige: Art, Digital Colonialism, and Invisible Narratives

Joana Hadjithomas and Khalil Joreige are Lebanese filmmakers and artists born in Beirut in 1969. Their partnership spans various artistic languages, including feature films, documentaries, video installations, photography, sculptures, performative lectures, and texts. University professors in Lebanon and Europe, they have built a body of visual research that delves into personal and political archives, mapping

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Hifa Cybe and Digital Colonialism: A Critical Analysis

Hifa Cybe, also known as Luiza Jesus do Prado, is a Brazilian transdisciplinary artist whose work lies at the complex intersection of art, science, and politics. Born in Guaratinguetá, São Paulo, in 1988, and currently residing in the state capital, Cybe employs various artistic tools to explore themes such as memory, decolonization, marginalization of femininity,

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Wu Tsang and Digital Colonialism: Marginalized Narratives in the Contemporary Digital Space

Wu Tsang, filmmaker, artist, and performer born in 1982, has built a body of work that explores central themes such as identity, marginalization, and representation. Educated at the School of the Art Institute of Chicago (B.F.A., 2004) and the University of California in Los Angeles (M.F.A., 2010), Tsang utilizes the hybrid between documentary and fiction

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Subaltern Poetics: A Critical Analysis of Power Relations in Contemporary Art

Within the evolving discourse of contemporary aesthetic theory, the epistemological framework of Subaltern Poetics constitutes a vital theoretical intervention that problematizes conventional paradigms of power relations and representational practices in contemporary art, while simultaneously interrogating the ontological assumptions underlying traditional artistic hierarchies. This theoretical framework derives from the intersection between the Aristotelian notion of poetics

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How Are Local and Indigenous Cultures Impacted by Digital Colonialism in Art?

In a world where algorithms dictate trends and art is translated into pixels, digital colonialism emerges as the new face of old habits. Beneath the promising glow of global technologies, local and Indigenous cultures face a subtle yet persistent erasure. Is digitalization the promise of democratization, or just a recycled version of ancient power dynamics?

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How Is the Monetization of Digital Art Connected to Digital Colonialism?

The monetization of digital art is deeply linked to digital colonialism, reflecting the dynamics of data exploitation, the imposition of Western cultural values, and technological hegemony. While technology promises democratization and creative opportunities, it often reinforces historical inequalities, transforming the digital space into an extension of colonial and capitalist practices. Data Exploitation and Surveillance CapitalismData

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What Are the Ethical Challenges Faced by Artists in the Context of Digital Colonialism?

In digital colonialism, artists face a complex set of ethical challenges that reflect the power dynamics and exploitation embedded in digital platforms and technologies. While digital tools offer opportunities for innovation, they often perpetuate historical inequalities, placing artists — particularly from marginalized cultures — in vulnerable positions. Key Ethical Challenges Cultural AppropriationOne of the most prevalent

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Can Digital Art Be a Form of Resistance to Digital Colonialism?

Yes, digital art can become a compelling force to resist digital colonialism. While digital colonialism perpetuates historical structures of domination, marginalizing non-Western voices and cultures, digital art offers creative opportunities to question and subvert these dynamics. Resisting Digital Colonialism Through Art Reusing Colonial ArchivesArtists from historically colonized regions, such as Southeast Asia, are repurposing colonial

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