🇧🇷 Curador Decolonial – Simulador de Catalogação Cultural: Navegando Epistemologias e Poder
Curador Decolonial Simulador de Catalogação Cultural: Navegando Epistemologias e Poder Cenário: 1/5
Curador Decolonial Simulador de Catalogação Cultural: Navegando Epistemologias e Poder Cenário: 1/5
CTRL+ART+DEL Dilemas de um Artista Digital BEM-VINDO AO SIMULADOR DE ARTISTA DIGITAL SUL-AMERICANO Você é Carlos Ribeiro, um artista promissor de São Paulo que sonha em fazer carreira internacional com arte digital. Você tem técnica, criatividade e uma visão profunda de suas raízes culturais. Seus trabalhos incorporam símbolos e narrativas da cultura indígena e afro-brasileira.
🇧🇷 (jogo) CTRL+ART+DEL: Uma Crítica ao Colonialismo Digital nas Artes Read More »
▓▓ DIGITAL ART TRADER v1.0 ▓▓ DAY: 1 CAPITAL: $5000 REP: 50% PLATFORM: OpenSea DEMAND: 100% TREND: Stable ▓ INVENTORY [0] ▓ ▓ ART MARKET ▓ ▓ ACTIONS ▓ CHANGE PLATFORM ANALYZE TRENDS NEXT DAY GET INTEL ($500) ▓ TERMINAL ▓ > Welcome to the Digital Art Trading System. Type ‘HELP’ for assistance. Art as
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The relationship between artificial intelligence (AI) and art has become a relevant field of critical and aesthetic exploration in recent years. However, when this intersection expands to include the perspective of historically marginalized communities, such as Indigenous peoples of Latin America, new possibilities arise. The project “IA/AI: Artificial Intelligence, Art, and Indigeneity” proposes a critical
IA/AI: Artificial Intelligence, Art, and Indigeneity Read More »
DIGITAL COLONIALISM Cartography of Power and Extraction in the Digital World Digital Power Centers Control of 84% of global data Simulation Data Flows Statistics Historical Evolution Information Domination Metrics Data Extracted: 1.8 PB/h Algorithm Control: 78.3% Dependency: 92.1% Value Captured: $4.7T Extraction Dependency Resistance 2000 1990 2000 2010 2020 2025 Distribution of Technological Benefits ×
Cartography of power and extraction in the digital world Read More »
Eli Cortiñas, born in Las Palmas de Gran Canaria, Spain, in 1979, is a visual artist of Cuban descent who resides and works in Berlin. Her artistic practice investigates cinematic memory through the analysis and reassembly of pre-existing footage, combining it with her film, video, and sound recordings. Cortiñas collects, organizes, and classifies diverse materials,
Eli Cortiñas: Critical Perspectives on Digital Colonialism Read More »
Artificial intelligence (AI) does not merely shape the contemporary digital world; it transforms it into a battleground where hegemony and resistance coexist. Under the guise of innovation, AI alternately reinforces globally unequal power structures or emerges as an ally of creative movements challenging these dynamics. Its role is, therefore, deeply ambiguous and riddled with contradictions.
Under the aegis of neoliberal markets, digital art emerges as a terrain of pulsating tensions. More than a mere reflection, it is a field of forces where algorithms and market interests intertwine, shaping works that balance technological euphoria with a critique that is sometimes hesitant. Interactivity, programmed obsolescence, and the allure of virtual luxury converge
Neoliberalism exerts a profound and paradoxical influence on the definition of what is considered “digital art,” shaping not only artistic production but also its structures of value, reception, and perception. Like an invisible wind, it blows through the codes, algorithms, and artistic intentions, creating financial storms disguised as cultural revolutions. By reducing the aesthetic and
How Does Neoliberalism Influence the Definition of “Digital Art”? Read More »