Blog
The Distribution of the Sensible
The Distribution of the Sensible A key concept by Jacques Rancière What is the Distribution…
Ozzo Ukumari: Between Ancestrality and Digitality
At the intersection of contemporary technology and ancestral knowledge lies the work of Ozzo Ukumari…
Kadu Xukuru: Indigenous Futurism and the Decolonization of Digital Space
The growing presence of indigenous artists in the contemporary art field provokes significant ruptures in…
Artification: Transformation Processes Between Art and Non-Art
The field of art history has expanded significantly in recent decades, incorporating objects, practices, and…
Moara Tupinambá: Art, Memory, and the Decolonization of Digital Space
Contemporary art, in its multiplicity, has become a battlefield where hegemonic narratives are contested and…
The New Stage of Art: Digital Exhibitions and the Transformation of Aesthetic Experience
Digital art exhibitions are a phenomenon that redefines the way we interact with artistic production….
Digital Crossroads: Emo de Medeiros and the Art of Hybrid Resistance
Emo de Medeiros is a Beninese-French artist who lives and works between Cotonou, Benin, and…
Fragments of Resistance: Beatriz Santiago Muñoz and the Digital Colonial Gaze
Beatriz Santiago Muñoz, born in San Juan, Puerto Rico, in 1972, develops work that interweaves…
Joana Moll and Digital Colonialism: Infrastructure, Surveillance, and Environmental Impact
Joana Moll, an artist and researcher based in Barcelona and Berlin, develops work that critically…
Decolonial Curation: Rethinking Museums and Their Legacies
Decolonial curation proposes a critical review of traditional museum practices, seeking to dismantle the colonial…
Eli Cortiñas: Critical Perspectives on Digital Colonialism
Eli Cortiñas, born in Las Palmas de Gran Canaria, Spain, in 1979, is a visual…
Mimi Ọnụọha: Art, Technology, and Digital Colonialism
Mimi Ọnụọha, a Nigerian-American artist based in Brooklyn, explores the intersection of art, technology, and…