Moara Tupinambá: Art, Memory, and the Decolonization of Digital Space
Contemporary art, in its multiplicity, has become a battlefield where hegemonic narratives are contested and power structures inherited from colonialism are challenged. It is within this terrain that Moara Tupinambá’s work (Belém do Pará, 1983) emerges as an act of re-existence, intertwining ancestry, memory, and critique of Indigenous erasure while confronting the mechanisms of digital […]
Moara Tupinambá: Art, Memory, and the Decolonization of Digital Space Read More »










