victortmurari@gmail.com

Digital Crossroads: Emo de Medeiros and the Art of Hybrid Resistance

Emo de Medeiros is a Beninese-French artist who lives and works between Cotonou, Benin, and Paris. His work spans multiple media, including sculpture, video, photography, performance, installations, and textiles. Blending tradition and technology, he explores themes of identity, globalization, digital colonialism, and cultural transformation. His central concept, “contexture,” proposes a holistic interconnectivity, examining the fusion […]

Digital Crossroads: Emo de Medeiros and the Art of Hybrid Resistance Read More »

Fragments of Resistance: Beatriz Santiago Muñoz and the Digital Colonial Gaze

Beatriz Santiago Muñoz, born in San Juan, Puerto Rico, in 1972, develops work that interweaves the post-colonial world, ethnography, and theater to create films, videos, installations, and sound experiences. Her artistic practice focuses on anarchist communities, the relationship between art and labor, and post-military territories, exploring how narrative and improvisation shape the understanding of history

Fragments of Resistance: Beatriz Santiago Muñoz and the Digital Colonial Gaze Read More »

Joana Moll and Digital Colonialism: Infrastructure, Surveillance, and Environmental Impact

Joana Moll, an artist and researcher based in Barcelona and Berlin, develops work that critically investigates the impacts of techno-capitalist narratives on the literacy of machines, humans, and ecosystems. Her projects address key contemporary issues, such as the materiality of the internet, surveillance, social profiling, digital interfaces, and the energy consumption of technological infrastructures. The

Joana Moll and Digital Colonialism: Infrastructure, Surveillance, and Environmental Impact Read More »

Decolonial Curation: Rethinking Museums and Their Legacies

Decolonial curation proposes a critical review of traditional museum practices, seeking to dismantle the colonial legacies that have shaped the production and dissemination of knowledge within these institutions. This effort aims to make museum spaces more inclusive, representative, and equitable, ensuring that multiple voices and perspectives are incorporated into the construction of historical and cultural

Decolonial Curation: Rethinking Museums and Their Legacies Read More »

Eli Cortiñas: Critical Perspectives on Digital Colonialism

Eli Cortiñas, born in Las Palmas de Gran Canaria, Spain, in 1979, is a visual artist of Cuban descent who resides and works in Berlin. Her artistic practice investigates cinematic memory through the analysis and reassembly of pre-existing footage, combining it with her film, video, and sound recordings. Cortiñas collects, organizes, and classifies diverse materials,

Eli Cortiñas: Critical Perspectives on Digital Colonialism Read More »

Mimi Ọnụọha: Art, Technology, and Digital Colonialism

Mimi Ọnụọha, a Nigerian-American artist based in Brooklyn, explores the intersection of art, technology, and society through installations, videos, websites, and texts. Her work examines the absences in data collection systems and questions the sociopolitical implications of these processes. By investigating the gaps in digital records, the artist exposes the power structures that influence contemporary

Mimi Ọnụọha: Art, Technology, and Digital Colonialism Read More »

Stephanie Dinkins: Art, AI, and the Fight Against Digital Colonialism

Stephanie Dinkins is a transdisciplinary American artist based in Brooklyn, New York. Her work explores artificial intelligence (AI) and its intersections with race, gender, and history. Dinkins aims to “create a culturally attuned AI entity in collaboration with programmers and engineers and in close consultation with local communities of color that reflects and is empowered

Stephanie Dinkins: Art, AI, and the Fight Against Digital Colonialism Read More »

Joana Hadjithomas and Khalil Joreige: Art, Digital Colonialism, and Invisible Narratives

Joana Hadjithomas and Khalil Joreige are Lebanese filmmakers and artists born in Beirut in 1969. Their partnership spans various artistic languages, including feature films, documentaries, video installations, photography, sculptures, performative lectures, and texts. University professors in Lebanon and Europe, they have built a body of visual research that delves into personal and political archives, mapping

Joana Hadjithomas and Khalil Joreige: Art, Digital Colonialism, and Invisible Narratives Read More »

The Decolonial Museum: Concept, Curatorship, and Public Participation

Museums have historically played a central role in shaping cultural narratives and preserving heritage. However, many of them are deeply rooted in colonial structures that have marginalized and silenced certain social groups. The decolonial museum establishes itself as a space that questions these practices and seeks to transform cultural institutions, making them more inclusive and

The Decolonial Museum: Concept, Curatorship, and Public Participation Read More »

Hifa Cybe and Digital Colonialism: A Critical Analysis

Hifa Cybe, also known as Luiza Jesus do Prado, is a Brazilian transdisciplinary artist whose work lies at the complex intersection of art, science, and politics. Born in Guaratinguetá, São Paulo, in 1988, and currently residing in the state capital, Cybe employs various artistic tools to explore themes such as memory, decolonization, marginalization of femininity,

Hifa Cybe and Digital Colonialism: A Critical Analysis Read More »