▓▓ DIGITAL ART TRADER v1.0 ▓▓ DAY: 1 CAPITAL: $5000 REP: 50% PLATFORM: OpenSea DEMAND: 100% TREND: Stable ▓ INVENTORY [0] ▓ ▓ ART MARKET ▓ ▓ ACTIONS ▓ CHANGE PLATFORM ANALYZE TRENDS NEXT DAY GET INTEL ($500) ▓ TERMINAL ▓ > Welcome to the Digital Art Trading System. Type ‘HELP’ for assistance. Art as […]
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1. Introduzione L’Italia possiede una ricca tradizione giornalistica che risale a pubblicazioni centenarie come il Corriere della Sera e La Repubblica. Attualmente, il paese affronta una trasformazione radicale nel suo ecosistema mediatico. L’avvento delle piattaforme digitali globali rappresenta una profonda riconfigurazione delle strutture di potere informativo, caratterizzando quello che ricercatori come Stefano Quintarelli (2021) e
The Cultural Critic Who Saw Through the Veil Mark Fisher (1968-2017) became one of the most incisive cultural theorists of the early 21st century, offering a critical perspective that connected cultural production, political economy, and collective psychology. As a writer, philosopher, cultural critic, and educator at Goldsmiths, University of London, Fisher developed theoretical frameworks that
The Haunted Present: Mark Fisher and the Cultural Logic of Capitalist Realism Read More »
Where digital interfaces flicker like ancestral bonfires, Zahy Tentehar rewrites colonial protocols in the Tenetehara language. A Guajajara artist-programmer, she does not “translate” cultures—she dismantles the syntax of power. Her work functions as an epistemological antivirus, infecting the operating system of contemporary art with forest commands—lines of code that disable cultural firewalls and restore original
Zahy Tentehar: Ancestral Systems in Hostile Territories Read More »
The relationship between artificial intelligence (AI) and art has become a relevant field of critical and aesthetic exploration in recent years. However, when this intersection expands to include the perspective of historically marginalized communities, such as Indigenous peoples of Latin America, new possibilities arise. The project “IA/AI: Artificial Intelligence, Art, and Indigeneity” proposes a critical
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DIGITAL COLONIALISM Cartography of Power and Extraction in the Digital World Digital Power Centers Control of 84% of global data Simulation Data Flows Statistics Historical Evolution Information Domination Metrics Data Extracted: 1.8 PB/h Algorithm Control: 78.3% Dependency: 92.1% Value Captured: $4.7T Extraction Dependency Resistance 2000 1990 2000 2010 2020 2025 Distribution of Technological Benefits ×
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The Distribution of the Sensible A key concept by Jacques Rancière What is the Distribution of the Sensible? The concept of “distribution of the sensible” (or partage du sensibleFrench term used by Rancière in his original works) was developed by Jacques Rancière in his work Disagreement: Politics and Philosophy (1995). This concept refers to how
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At the intersection of contemporary technology and ancestral knowledge lies the work of Ozzo Ukumari (born Oscar Octavio Soza Figueroa, 1985, Agua de Castilla, Bolivia), a multidisciplinary artist whose production offers a unique perspective on the tensions inherent to what we can call digital colonialism. With a degree in Art from the Gabriel René Moreno
Ozzo Ukumari: Between Ancestrality and Digitality Read More »
The growing presence of indigenous artists in the contemporary art field provokes significant ruptures in the hegemonic discourses that historically control the art system. Among them, Kadu Xukuru (also known as Kadu Tapuya) stands out, a 26-year-old visual artist and cultural producer from the Xukuru do Ororubá people, whose work reconfigures the relationships between indigenous
Kadu Xukuru: Indigenous Futurism and the Decolonization of Digital Space Read More »
The field of art history has expanded significantly in recent decades, incorporating objects, practices, and manifestations that previously did not belong to the traditional artistic domain. In this context, the concept of “artification” emerges as a fundamental theoretical tool for understanding the processes by which elements not considered art are transformed into socially recognized artistic
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