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🌎 CTRL+ART+DEL: Una Crítica al Colonialismo Digital en las Artes

Leave a Comment / Games /

CTRL+ART+DEL Dilemas de un Artista Digital BIENVENIDO AL SIMULADOR DE ARTISTA DIGITAL LATINOAMERICANO Eres Carlos Reyes, un prometedor artista de Bogotá que sueña con hacer carrera internacional con arte digital. Tienes técnica, creatividad y una visión profunda de tus raíces culturales. Tus obras incorporan símbolos y narrativas de la cultura indígena y afrolatina. ¿Deseas comenzar […]

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🇧🇷 (jogo) CTRL+ART+DEL: Uma Crítica ao Colonialismo Digital nas Artes

Leave a Comment / Artificial Inteligence /

CTRL+ART+DEL Dilemas de um Artista Digital BEM-VINDO AO SIMULADOR DE ARTISTA DIGITAL SUL-AMERICANO Você é Carlos Ribeiro, um artista promissor de São Paulo que sonha em fazer carreira internacional com arte digital. Você tem técnica, criatividade e uma visão profunda de suas raízes culturais. Seus trabalhos incorporam símbolos e narrativas da cultura indígena e afro-brasileira.

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🇮🇹 Controllo dei Media e Disinformazione in Italia: La Sfida del Colonialismo Digitale alla Sovranità Informativa

Leave a Comment / Digital Colonialism /

1. Introduzione L’Italia possiede una ricca tradizione giornalistica che risale a pubblicazioni centenarie come il Corriere della Sera e La Repubblica. Attualmente, il paese affronta una trasformazione radicale nel suo ecosistema mediatico. L’avvento delle piattaforme digitali globali rappresenta una profonda riconfigurazione delle strutture di potere informativo, caratterizzando quello che ricercatori come Stefano Quintarelli (2021) e

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The Haunted Present: Mark Fisher and the Cultural Logic of Capitalist Realism

Leave a Comment / Critical Essay, Neoliberalism /

The Cultural Critic Who Saw Through the Veil Mark Fisher (1968-2017) became one of the most incisive cultural theorists of the early 21st century, offering a critical perspective that connected cultural production, political economy, and collective psychology. As a writer, philosopher, cultural critic, and educator at Goldsmiths, University of London, Fisher developed theoretical frameworks that

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Zahy Tentehar: Ancestral Systems in Hostile Territories

Leave a Comment / Artists, Digital Colonialism /

Where digital interfaces flicker like ancestral bonfires, Zahy Tentehar rewrites colonial protocols in the Tenetehara language. A Guajajara artist-programmer, she does not “translate” cultures—she dismantles the syntax of power. Her work functions as an epistemological antivirus, infecting the operating system of contemporary art with forest commands—lines of code that disable cultural firewalls and restore original

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IA/AI: Artificial Intelligence, Art, and Indigeneity

Leave a Comment / Artificial Inteligence, Artists, Digital Art, Digital Colonialism /

The relationship between artificial intelligence (AI) and art has become a relevant field of critical and aesthetic exploration in recent years. However, when this intersection expands to include the perspective of historically marginalized communities, such as Indigenous peoples of Latin America, new possibilities arise. The project “IA/AI: Artificial Intelligence, Art, and Indigeneity” proposes a critical

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Cartography of power and extraction in the digital world

Leave a Comment / Artificial Inteligence /

DIGITAL COLONIALISM Cartography of Power and Extraction in the Digital World Digital Power Centers Control of 84% of global data Simulation Data Flows Statistics Historical Evolution Information Domination Metrics Data Extracted: 1.8 PB/h Algorithm Control: 78.3% Dependency: 92.1% Value Captured: $4.7T Extraction Dependency Resistance 2000 1990 2000 2010 2020 2025 Distribution of Technological Benefits ×

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Ozzo Ukumari: Between Ancestrality and Digitality

Leave a Comment / Artists, Digital Colonialism /

At the intersection of contemporary technology and ancestral knowledge lies the work of Ozzo Ukumari (born Oscar Octavio Soza Figueroa, 1985, Agua de Castilla, Bolivia), a multidisciplinary artist whose production offers a unique perspective on the tensions inherent to what we can call digital colonialism. With a degree in Art from the Gabriel René Moreno

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