My research investigates digital art as a field shaped by historical, technical, and epistemological disputes. Drawing on art history and cultural criticism, I examine how platforms, databases, archives, and interfaces structure regimes of visibility that reiterate asymmetries inherent to digital colonialism. I am interested in artistic practices that operate in friction with these systems, proposing critical cartographies, partial narratives, and alternative forms of memory in cyberspace, while understanding curatorship as an act of montage, translation, and critical positioning.